Retro Retro-Futuristic Inspiration
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Using Gmail daily, I’ve been wanting quicker access to the “Compose Email” area for a while now. So I concocted a deadly bookmarklet for doing just that. The following mockery of JavaScript will open for you, a new popup window showing only the Compose window. It’s awesome.
Drag this link to your bookmarks toolbar: Gmail To
Works with the new Gmail 2 UI.
Replicants, more human than human robots do humanitys dirty work. Given time, they will develop their own emotional responses. To prevent revolts, they are given only a four year lifespan. When they’re a hazard, Blade Runners are sent to “retire” them.
Blade Runner has been through its share of troubles. The first one with the voice over was marred by producers wanting to control the young art director, Ridley Scott, whose experience hadn’t yet been proved (not even by Alien). The second version, “The Directors Cut”, felt rushed and the DVD release was grainy and VHS like. The Final Cut has finally been given the proper treatment. Tweaks and fixes have been made and a near-perfect, cleaned-up transfer make this the ultimate version of Blade Runner.
Blade Runner works on many levels. There’s the gorgeous dystopian design. There’s atmosphere oozing from every sound of Vangelis’ soundtrack. There’s the vision and the philosophical aspects: life, death, the time we’re given. They don’t make movies like this anymore and Blade Runner is the peak of a period. It’s an absolute delight to marvel in the polished and crisp picture and to notice details like the eyes of replicants reflecting light differently. Who’s replicant and who’s not? And does it matter? And what’s that about a unicorn? Find out.
Tony Stark is a billionaire inventor, industrialist and weapons manufacturer. After seeing first-hand what his weapons do, he decides to don a crime-fighting metal cape.
It’s hard to fault Iron Man as it has very few shortcomings. It’s Hollywood at its best: finely tuned action, expensive special effects, golden-haired girls and entertainment made for the big screen. On the flipside, it’s really not a deep movie; in fact it’s all surface. For what Iron Man tries to be, however, such depth is moot.
Iron Man works in all the ways Spider-Man 3 didn’t. It’s well paced, entertaining, believably unrealistic and with a story that doesn’t feel like it’s quilted together in the last minute. Robert Downey works well in his role and surprisingly: so does Gwyneth Paltrow. Now watch out for a cameo early on by director Jon Favreau. In the mean time, I’ll wait patiently for the sequel. Added note: I’m told there’s an extra scene after the end-credits.